CONTINUUM

Exhibit Dates: March 1-29, 2018
Opening Reception: March 1, 2018 | 5:30-7:30 p.m.

The Melton Gallery is pleased to host the group exhibit CONTINUUM, showcasing the legacy of past and present UCO ceramics faculty Gayle Singer, Barbara Weidell, and Eric Hoefer, and the work of CFAD’s new Dean, Steve Hansen in March of 2018. This dynamic group of ceramists will display their talent in the form of 3D sculpture ranging from pop-art teapots to anthropomorphic figures, exploring the diversity, scope, and continuum of the art of ceramics. The exhibit will be open March 1-29.

Mindscape: The Subjective Realism of Steve Breerwood

Exhibit Dates: February 1-22, 2018
Opening Reception: February 1, 2018 | 5:30-7:30 p.m.

Steve Breerwood’s paintings, while varying in subject, all relate back to the relationship with his inner-self, “the space between my own ears.” His oil paintings, which represent both figurative and imaginative scenes of individuals in solitude, blue-collar employees of corporate industries like Wal-Mart, and dream-like imagery, challenge our perception of the self and represent how we, internally, interpret reality. His work is layered in human experience, and based as an autobiographical narrative, gives the viewer a glimpse into our collective subjective reality.

Layered Perspectives

Exhibit Dates: November 2-30, 2017
Opening Reception: November 2, 2017 | 5:30-7:30 p.m.

In this multiple exposure photography series, UCO New Media Faculty, David Webber, explores the idea of “making something out of nothing” in his photographs inspired by Alred Stieglitz’s cloud series, Equivalents. These photographs start with images from New Orleans, and through transformation, become hybrid forms, confusing boundaries of their reference. As viewers, we are challenged to look at this iconic cityscape from multiple and layered perspectives, like concrete clouds, and consider how the history of a city – it’s structure, population, and even tragedy – shapes our overall perception of place.

Synthesis (Re)Action: Aesthetics in the Arts and Sciences

Exhibit Dates: October 5-26, 2017
Opening Reception: October 5, 2017 | 5:30-7:30 p.m.

A synthesis reaction is a chemical reaction in which two or more simple substances combine to form a more complex product. In UCO Art faculty Elizabeth Brown’s work, we see the combination of the visual arts and sciences, the creation of works that mirror elements of existing organic life and combine synthetic and non-traditional materials to create a tension between the definable and the indefinable.

Brandi Downham: Restructuring Vulnerability

Exhibit Dates: September 4-28, 2017
Opening Reception: September 7, 2017 | 5:30-7:30 p.m.

UCO alumnae Brandi Downham opens up the fall 2017 school year with her solo exhibit, Restructuring Vulnerability. Her abstract paintings, both large and medium scale, explore personal identity and emotion through fluid colors, structured lines, and glimpses of handwritten text. This exhibit restructures the concept of vulnerability by adding linear elements to an otherwise fluid scene and challenging connotations involved with sensitivity and emotion.

Restructuring Vulnerability: Blueprints to Memories

Beautiful images in fluid hues of blue and purple and beige filled the space of the serene Melton Gallery, a reprieve from the bustling energy of the outside world. Stepping through the threshold, and with a gentle latch of the closing door, the exhibit greeted the viewer with a sense of fragility and yet strength, truly living up to its namesake.

UCO alumnae Brandi Downham’s abstract paintings spoke at a level that encouraged the viewer to lean forward and listen as each piece incorporated fragments of sketches, journal entries and photographs to reflect the personal level of exploration into space and structure: much like a human memory.

“My work is an exploration of time and a description of the memories I bear,” Downham explained. “Each piece represents a memory; a reflection of my life and moments kept. The integrated collage elements are deliberately chosen for each piece. The delicate graphite work and text I write on the surface can be read like a whisper, disclosing a gentle message.”

Geometric lines inspired by Durnaham’s father who labored as a building contractor, hand-written text in charcoal, and color choice on each painting exemplified the personal identity and emotion of Downham as she brought her own memories, such as grief, new beginnings and times of change, to life. She wasn’t afraid to be vulnerable and expose her inner self, provoking the viewer to reconsider the negative connotation surrounding vulnerability and sensitivity.

In response, students from varying paths of life walked the exhibit themselves, finding an art piece that spoke to them to write an ekphrastic poem as part of the call-to-writers event the Melton hosts for every exhibit. Taryn Hansen was one such student drawn in to Downham’s sense of longing and regret in a piece titled, “I Can’t Be.”

“I have always loved writing poetry and testing out the different styles and formats, and I think looking at art in search of inspiration can be very fruitful,” Hansen said. “Art often expresses emotions, or can be the physical embodiment of an idea. You might not get the same exact emotion from a piece that the artist was trying to convey, but it always works well to pair the two.”

Along with Hansen’s prose piece “Everything,” select student responses were gathered and bound into a catalog that both honored Downham’s work and showcased the deep thoughts of students when exposed to art. Students from UCO English lecturer Dagmar Rossberg’s workshop class also attended the exhibit, writing reflective essays about pieces that caught their attention and perhaps even restructured their concept of vulnerability.

“In Downham’s painting ‘Hope Offering,’ her colors are dark and mysterious,” mused Ashely F., one of Rossberg’s students. “The top of the piece is dark grey that slowly fades into a light blue, which could mean that her darker days are becoming light again. The use of bluebirds is innovative, [and] the colors of the birds go from black to dark grey to blue. The paint is applied as if to represent tears . . . Brandi Downham’s paintings show her vulnerability through her choice of colors, words and various layers of paint.”

The “Restructuring Vulnerability” exhibit was the first exhibit of the Fall 2017 semester and ran in the Melton Gallery Sept. 4-28. The Melton Gallery ended the exhibit Sept. 28 with a closing reception with Downham answering questions as well as the public release of the exhibit catalog.

Blake Little: Photographs from the Gay Rodeo

Exhibit Dates: May 15-June 20, 2017
Opening Reception: June 1, 2017 | 5:30-7:30 p.m.

Consisting of 41 black-and-white photographs taken between 1988 and 1992, the exhibit documents the gay rodeo circuit and the lives of many of its participants in those years. The collected body of work not only serves as a stunning example of black-and- white portraiture and rodeo photography, it also explores the diverse and complex natures of individual and community identity in the West.