Tag: concert

FESTIVAL ANNOUNCEMENT: The Annie Oakley, Noname headline ACM@UCO’s .WAV Festival on March 2-3

ACM@UCO’s .WAV Festival celebrates women in music with two days of empowering music and performances, March 2-3 at the Academy of Contemporary Music at the University of Central Oklahoma (ACM@UCO) and its ACM Performance Lab in downtown Oklahoma City.

Festival admission is free and open to the public, except for Sunday’s festival-headlining show by acclaimed Chicago hip-hop and spoken-word rapper Noname, who performs 8 p.m. March 3 at ACM Performance Lab, 329 E. Sheridan Ave. Elton and Original Flow & The Fervent Route open the show. Tickets for the Noname concert are $25 and are sold out, although a limited number of tickets might be released for sale closer to the event date.

Popular Americana sweetheart The Annie Oakley headlines the March 2 roster, performing a at 8 p.m. inside the Songwriting Room on the first floor of ACM@UCO’s main campus at 25 S. Oklahoma Avenue (first floor) in downtown Oklahoma City’s Bricktown entertainment district.

The .WAV Festival features three indoor stages at two venues, with most performances happening 4-9 p.m. March 2 and 2-8 p.m. March 3 inside ACM@UCO. The lineup features Miillie Mesh, Ciara Brooke, Lauryn Hardiman, Creeping Toms, Ramona & The Phantoms, Me Oh My, Rozlyn Zora, Jade Castle, Michéla Creel and more. For more information, visit wav.eventbrite.com.

Organized and run by members of ACM’s Women Audio Vision (.WAV) student organization, .WAV Festival showcases multiple genres and more than a dozen music acts performing grunge pop, Americana, blues, folk, singer-songwriter, rap and hip-hop and more.

“.WAV Fest was created to empower women in the music industry,” said Katie Carmichael, student president of ACM@UCO Women Audio Vision (.WAV). “The event features bands with women and women solo artists, as well as dancers, artists and photographers.

“The two-day event is also a food drive for Sisu Youth in OKC that helps homeless youth in the area,” Carmichael added.

All .WAV Festival visitors are encouraged to donate nonperishable food items to benefit Sisu Youth Services, an Oklahoma City nonprofit organization that helps shelter and care for homeless youth living in our community. The mission of Sisu Youth, Inc. is to ensure that young people experiencing adversity have a safe place to sleep, the security to dream and the support to make a positive impact on the world.

Suggested donations:

• $5-10 gift cards for fast food
• Bottled water
• Gatorade
• Pop Tarts
• Fruit snacks
• Snack cups (applesauce, fruit or pudding)
• Beef jerky
• Shelf-stable milk
• Granola and protein bars
• Hormel Compleats or similar shelf-stable, MRE-type food
• Pop-top canned food

“We think .WAV Fest is important because not only are we representing ACM to show how vital the work they’re doing is in Oklahoma, but also to show how many women and female-identifying people are working in the arts in Oklahoma City to help shape the scene,” Carmichael explained.

In fact, the student organization she leads, ACM@UCO Women’s Audio Vision, just began its second year on the school’s downtown campus.

“This is our second year as an organization, but first under the name Women’s Audio Vision,” which is open to everyone, including female and female-identifying members, Carmichael said. “Our purpose is to show other women they aren’t alone in this business and to create a community of capable, trained professional women in OKC.”

ACM@UCO’s Women’s Audio Vision group and the .WAV Festival is funded by the University of Central Oklahoma Student Association. As part of ACM@UCO’s Metro Music Series, the Noname concert is funded in part by the support of its sponsors, including Oklahoma Gazette, Exchange Music, KOSU Radio, Love’s Travel Stops & Country Stores, and the Oklahoma Arts Council, which receives support from the State of Oklahoma and the National Endowment for the Arts’ Art Works initiative.

Find performance dates and times and learn more about the .WAV Festival at wav.eventbrite.com.

The Annie Oakley, dressed in similar jumpers and polka-dot shirts in this undated publicity photo.

The Annie Oakley headlines .WAV Festival with a free March 2 performance at ACM@UCO’s Songwriting Room (first floor), 25 S. Sheridan Ave., in Bricktown.

Miillie Mesh poses with a lace fan in this undated publicity photo.

Miillie Mesh performs Sunday, March 3 at ACM@UCO’s .WAV Festival.

Singer-songwriter Kat Lock poses in a velvet gown in front of what appear to be bloody shower curtains in this undated publicity photo.

Kat Lock performs Saturday, March 2 at ACM@UCO’s .WAV Festival.

Singer-songwriter and musician Jade Castle poses with her guitar in front of a stone fountain in this undated publicity photo.

Jade Castle performs Saturday, March 2 at ACM@UCO’s .WAV Festival.

Musician Eli Tostado sits on a yellow-painted curb, with her legs crossed, as she looks at the camera in this undated publicity photo.

Eli Tostado performs Sunday, March 3 at ACM@UCO’s .WAV Festival.

.WAV FESTIVAL

4-9 p.m. March 2 and 2-11 p.m. March 3 at ACM@UCO campus and ACM Performance Lab. For more information, visit wav.eventbrite.com. Please note that the lineup is subject to change without notice.

SATURDAY, MARCH 2

ACM@UCO campus (first floor), 25 S. Oklahoma Ave. in Bricktown

Songwriting Room
• 8 p.m.: The Annie Oakley
• 7 p.m.: Me Oh My
• 6 p.m.: Ramona & The Phantoms
• 5 p.m.: Kat Lock
• 4 p.m.: Creeping Toms

Acoustic stage
• 7 p.m.: Michéla Creel
• 6 p.m.: dancers
• 5 p.m.: Rozlyn Zora
• 4 p.m.: Jade Castle

SUNDAY, MARCH 3

ACM@UCO Performance Lab, 329 E. Sheridan Ave.
• 8 p.m.: Noname, with Elton and Original Flow & The Fervent Route (ticketed show)

ACM@UCO campus (first floor), 25 S. Oklahoma Ave. in Bricktown
Songwriting Room
• 5 p.m.: Miillie Mesh
• 4 p.m.: Shiann Davis
• 3 p.m.: Ciara Brooke
• 2 p.m.: Stone Tide

Acoustic stage
• 6 p.m.: Lauryn Hardiman
• 5 p.m.: dancers
• 4 p.m.: Sarah Byrd
• 2:30 p.m.: Jordan Russell
• 2 p.m.: Eli Tostado

ACM@UCO Musician and Singer-Songwriter Rozlyn Zora Leaves Fans ‘Speechless’ on Valentine’s Day

This Valentine’s Day, Oklahoma singer-songwriter and musician Rozlyn Zora proves that love is indeed what you choose to make of it. On Feb. 14, she’ll release her new single, “Speechless,” as she embarks on a spring-fling string of shows she’s calling the Makeup//Breakup Mini-Tour.

Zora, from Broken Arrow, Oklahoma, is a senior studying production and technology application at ACM@UCO in Oklahoma City. She said she’s long had the goal to release a new song every Valentine’s Day, and the Feb. 14 release of “Speechless” marks her first milestone in achieving it.

The acoustic guitar-driven, lyrically emotive ballad soars with support of ACM graduate Heather Becker on piano and Oklahoma State University student Demetri Tsaras on bass. Zora’s lyrical style on the tune has been compared to Sara Bareilles — a high compliment, to be sure, she said.

“The chorus came to me in a dream,” Zora said. “Charming love songs are my weakness. After I released ‘Love’ in January of 2017, I’ve longed to release a song on Valentine’s Day, and ‘Speechless’ is that dream child.”

“Speechless” was tracked and mixed by ACM@UCO music production and engineering student and student worker Stuart Adams in the school’s second floor-studio. It was mastered by ACM@UCO full-time lecturer and studio manager Kevin Lively (Rage Against the Machine, Pink, Elton John).

To celebrate the recording, Zora announced the quickie, three-date Makeup//Breakup Mini-Tour, in which she and participating bands fill their setlists with love/hate songs.

“The tour runs three days,” Zora said, then laughed. Zora and Mandias (Shawnee, Oklahoma, resident, ACM student and indie folk-rock musician Kate Carmichael) lead the lineup. Special guests round out the show at each show.

Zora’s first stop is a free concert 10 p.m. Feb. 14 at the Rabbit Hole, 116 S. Elgin Ave. in Tulsa, where she performs with Oklahoma City singer-songwriter Mandias and featured guest Lauryn Hardiman. The next night, she cruises through Norman for a 6:30 p.m. Feb. 15 gig with Mandias and UCO-based rock act Useless Randy at Red Brick Bar, 311 E. Main St. in Norman.

On Feb. 16, Zora swings through Bentonville, Arkansas, to perform at the popular Bike Rack Brewing Co.’s Eighth Street Brewery and Tap Room, 801 SE Eighth St., Suite 61. There, she shares the stage with Mandias, Useless Randy and Fayetteville, Arkansas, indie-alternative act Makin Loaf starting at 8 p.m. Tickets for that show are $10 at the door and eventbrite.com.

For more information and music, contact Rozlyn Zora at facebook.com/rozlynzora.

Makeup//Breakup Mini-Tour:

10 p.m. Feb. 14
Rozlyn Zora, Mandias and featuring Lauryn Hardiman
Rabbit Hole Tulsa, 116 S. Elgin Ave. in Tulsa
no cover / 21+

6:30 p.m. Feb. 15
Rozlyn Zora, Mandias and Useless Randy
Red Brick Bar, 311 E. Main St. in Norman
no cover / 21+

8 p.m. Feb. 16
Rozlyn Zora, Mandias, Useless Randy and Makin Loaf
Bike Rack Brewing Co. (Eighth Street Brewery & Tap Room), 801 SE Eighth St., suite 61 in Bentonville, Arkansas
$10 at the door and eventbrite.com.

Editor’s note: Download art associated with this release here.

CONCERT ANNOUNCEMENT: Parker Millsap Headlines May 1 Show at ACM Performance Lab in Bricktown

Oklahoma native Parker Millsap has quickly made a name for himself with his captivating live performances, soulful sound and character-driven songwriting. He performs 7 p.m. May 1 at ACM@UCO Performance Lab, 329 E. Sheridan Ave., in Oklahoma City. 

The event is part of the Academy of Contemporary Music at the University of Central Oklahoma’s (ACM@UCO) continuing Metro Music Series celebrating the school’s 10th anniversary.

Tickets are $10, and go on sale to the public 10 a.m. CT Friday, Jan. 18 at acm-uco.eventbrite.com.

Millsap has had a string of highlights in recent years: A network television debut on “Conan,” a performance with Elton John at Apple Music Festival in London, an Austin City Limits taping and an Album of the Year nomination from the Americana Music Association. He has also received praise from The New York TimesThe Boston GlobeLA TimesThe Austin Chronicle and Rolling Stone to name a few.

He first picked up an acoustic guitar at age 9, then plugged in and went electric after getting into Eric Clapton and Stevie Ray Vaughan. Millsap eventually started a cover band with classmate Michael Rose, who still plays bass with him today. Over the years, he recruited musicians Daniel Foulks (fiddle) and Andrew Bones (drums) to join his band.

Parker’s first three full-length releases — 2012’s “Palisade,” 2014’s self-titled LP and 2016’s “The Very Last Day” — showcased a primal mastery of acoustic folk rock, with their flourish for revelation and fiery dynamics all recorded with extreme precision, purpose and efficiency.

ACM@UCO’s Metro Music Series is sponsored by Oklahoma Gazette, Exchange Music, KOSU Radio, Love’s Travel Stops & Country Stores, and the Oklahoma Arts Council, which receives support from the State of Oklahoma and the National Endowment for the Arts’ Art Works initiative.

ACM@UCO Presents Literati Variety Show in February, Featuring Local Musicians, Writers, Poets

In a multi-act event promoting storytelling and its various forms, the Academy of Contemporary Music at the University of Central Oklahoma (ACM@UCO) presents Literati Variety Show, 7 p.m. Feb. 9 at ACM@UCO Performance Lab, 329 E. Sheridan Ave., in Oklahoma City. Admission is free.

Charles Martin, founder and creative director of Literati Press Comics & Novels, based in Oklahoma City, calls Literati Variety Show a “five-act variety talk program.”

“This is a celebration of storytelling as entertainment as well as a force to give meaning to life,” Martin said. “We are uniting artists from all mediums — music, poetry, comedy, anyone with a good story and the wherewithal to tell it well.”

The Feb. 9 event is presented by ACM@UCO as part of its Metro Music Series celebrating the school’s 10th anniversary.

Martin hosts the show, where he’ll introduce a music and literary pairing by hip-hop act Original Flow and The Fervent Route; a conversation with George Lang, editor-in-chief of Oklahoma Gazette; Heath Huffman, Public Access comedian of note; authors Holly Sampson Hall and Jeremy Hall with a performance reading of “The Most Wonderful Wonder”; and Molly O’Connor, founder of OKC StorySlam.

The show is co-organized by longtime local artist, Oklahoma City Arts Commissioner and Istvan Art owner and manager Stephen Kovash. Speaking recently to Oklahoma Gazette, Kovash said one of his goals with this show is to establish a new artistic family in the metro.

“Things are starting to coalesce in terms of Oklahoma writers,” he told the Gazette. “And so I think what Charles is doing here is perfect timing. … There’s hunger for ideas, and there’s pent-up demand, but there’s also a supply that’s pent-up. So maybe if we can get those people together, it’s going to explode.”

ACM@UCO’s Metro Music Series is sponsored by Oklahoma Gazette, Exchange Music, KOSU Radio, Love’s Travel Stops & Country Stores, and the Oklahoma Arts Council, which receives support from the State of Oklahoma and the National Endowment for the Arts’ Art Works initiative.

About the Performers

Molly O’Connor:
O’Connor is an Oklahoma City-based multi-disciplinary artist and cultural worker. Her creative and artistic practices include visual art, creative writing, original solo performance work and storytelling. In 2005, O’Connor founded OKC StorySlam, a monthly, competitive open-mic storytelling event influenced by “The Moth Radio Hour” and podcast.

Holly Sampson Hall and Jeremy Hall:
Holly Samson Hall and Jeremy Hall write and perform dark folk music as Welcome Little Stranger. Creators of “The Most Wonderful Wonder” podcast, the Halls explore tragedy, folklore and strange, true tales from the back pages of American history.

Heath Huffman:
Huffman is a stand-up comic born and raised in Oklahoma City. He tells jokes that highlight the absurdity of working out, the quirkiness of his religious upbringing and the peculiar world of cheap Italian food. He also hosts two podcasts — Christian music review show “The Praisedown” with Heath and Alex, and comic book narration show “Paneled,” both of which some people (not him) think are very good.

George Lang:
Lang is a journalist who has worked for Oklahoma Gazette multiple times since 1994. He returned as its editor-in-chief in 2017. In the interim, he also wrote for The Oklahoman. While there, he became its assistant entertainment editor, interviewing about 95 percent of film industry’s A-listers and hosting an award-winning video series about local musicians, “Static.” He hosts “Spy 101” radio show 8 p.m. Saturdays on The Spy (KOSU) and he teaches at ACM@UCO.

Original Flow and The Fervent Route:
Oklahoma City-based music act Original Flow & The Fervent Route mixes high-octane lyrical content with live instrumentation and old-school hip-hop delivery. It also includes ACM@UCO alumni.

About ACM@UCO Metro Music Series

The 2018-2019 school year marks ACM@UCO’s tenth anniversary. To celebrate, it expanded its long-running Metro Music Festival into a yearlong event. The revamped Metro Music Series includes the High Noon Showcase, presenting free shows by ACM@UCO-tied music acts and tastemakers; its ACM@UCO Performance Lab series by regional and national touring acts; and a growing roster of masterclasses, clinics and workshops with industry leaders, many of which are open to students and the public.

Find more info about Metro Music Series events at acm-uco.eventbrite.com.

For more information about ACM@UCO, visit acm.uco.edu.

Photos: Mac DeMarco and Leotie at ACM@UCO Performance Lab

Indie musician Mac DeMarco performed Nov. 1, 2018, to a sold-out audience at ACM@UCO Performance Lab in Oklahoma City, Oklahoma. ACM@UCO-tied act Leotie, aka singer-songwriter Caleb Starr, opened the ACM@UCO Metro Music Series event.

Photos by Tanner Laws | University of Central Oklahoma

About ACM@UCO Metro Music Series

The 2018-2019 school year marks ACM@UCO’s tenth anniversary. To celebrate, it expanded its long-running Metro Music Festival into a yearlong event. The revamped Metro Music Series includes the High Noon Showcase, presenting free shows by ACM@UCO-tied music acts and tastemakers; its ACM@UCO Performance Lab series by regional and national touring acts; and a growing roster of masterclasses, clinics and workshops with industry leaders, many of which are open to students and the public.

Check out upcoming ACM@UCO Metro Music Series shows at acm-uco.eventbrite.com!

ACM@UCO’s Metro Music Series is sponsored by Oklahoma Gazette, Exchange Music, KOSU Radio, ArtWorks, the National Endowment for the Arts and the Oklahoma Arts Council.

For more information about the Academy of Contemporary Music at the University of Central Oklahoma, visit acm.uco.edu.

Photos: Maps & Atlases and Magic Munchbox at ACM@UCO Performance Lab

Maps & Atlases performed Nov. 1, 2018 at ACM@UCO Performance Lab in Oklahoma City, Oklahoma. ACM@UCO-tied band Magic Munchbox opened the ACM@UCO Metro Music Series event.

“Now a trio, Maps & Atlases connect the roller-coaster guitar fretting and weighted timbres of their earlier albums with frenetic synth touches,” Pitchfork reviewer Amanda Wicks said of the album “Lightnessness is Nothing New,” released July 1. “The polished result is their most accessible album to date, touching on Peter Gabriel’s fizzy pop proclivities and reaching for TV on the Radio’s early grandness.”

In the brooding-yet-playful vein of Talking Heads or Peter Gabriel, Maps embraces the paradox of what it is to be human — constantly searching and, forever unsatiated, returning with everlasting hope to the ever-darkening fray. The deceptively upbeat “Lightlessness is Nothing New” unveils a gorgeous, complex, slightly skewed take on pop music.

Photos by Tanner Laws | University of Central Oklahoma

 

Magic Munchbox

Oklahoma City experimental funk-rock quartet Magic Munchbox opens for national touring act Maps & Atlases Nov. 1, 2018 at ACM@UCO Performance Lab in Oklahoma City. The ACM@UCO-tied band includes a student and alumnus in its lineup: Gilson Machtolff on guitar, skeeter on guitar, Michael Vaughan on bass and Robby Andersen on drums.

Photos by Tanner Laws | University of Central Oklahoma

 

About ACM@UCO Metro Music Series

The 2018-2019 school year marks ACM@UCO’s tenth anniversary. To celebrate, it expanded its long-running Metro Music Festival into a yearlong event. The revamped Metro Music Series includes the High Noon Showcase, presenting free shows by ACM@UCO-tied music acts and tastemakers; its ACM@UCO Performance Lab series by regional and national touring acts; and a growing roster of masterclasses, clinics and workshops with industry leaders, many of which are open to students and the public.

Check out upcoming ACM@UCO Metro Music Series shows at acm-uco.eventbrite.com!

ACM@UCO’s Metro Music Series is sponsored by Oklahoma Gazette, Exchange Music, KOSU Radio, ArtWorks, the National Endowment for the Arts and the Oklahoma Arts Council.

For more information about the Academy of Contemporary Music at the University of Central Oklahoma, visit acm.uco.edu.

Now Hear This: JD McPherson Performs Friday at Tower Theatre in OKC

In October, musician and singer-songwriter JD McPherson led an ACM@UCO masterclass at the school’s Bricktown campus with Scott Booker, ACM executive director, in conjunction with the Oklahoma Film + Music Office as part of the ACM@UCO Metro Music Series.

He takes his critically acclaimed new holiday album, Socks, on tour and performs Dec. 14 at Tower Theatre in Oklahoma City.

JD McPHERSON
w/JP Harris
Doors 7 p.m. Friday, Dec. 14
Tower Theatre
425 NW 23rd St.
Oklahoma City
Tickets: $17-$20 at ticketfly.com

From NPR’s Fresh Air: A Roots And Rockabilly Holiday Concert With JD McPherson And His Band

JD McPherson never thought he’d make a Christmas album. Then, he says, “I got a bug in my ear.” He and his band perform live in studio from Socks, and McPherson talks about growing up on a cattle farm.

Read more and hear the full interview and studio performance on NPR.

 

From the Los Angeles Times: This year’s essential Christmas albums ranked, from ‘Shatner Claus’ to the irresistible JD McPherson

Rating: Four stars (classic)

The roots-rocking singer-songwriter from Broken Arrow, Oklahoma, has put together the kind of holiday album that Louis Prima or Roy Brown would have if they’d ever gotten around to it, and thank Santa for that. It’s an utter joy, a vintage jump-blues/R&B/rockabilly workout devoid of treacly sentiment, but brimming over with child-like spirit — and just enough grown-up skepticism (“Bad Kid,” the title track) to keep things anchored in reality.

He’s written or co-written 11 originals that bring welcome fresh blood into the holiday music canon. Producing the album themselves, he and the band also zero in on a perfectly period musical and sonic vibe for this outing.

Read more from the Los Angeles Times.

From Oklahoma Gazette: ‘Socks’ rocks

McPherson said recording a Christmas album inspired him to return to the ’50s style that characterized his debut album, Signs & Signifiers.

“The language or the vocabulary of early rock ’n’ roll lends itself to that type of material,” McPherson said. “It just works better. We could’ve done a psych-rock Christmas album, but I don’t really think I would’ve wanted to listen to it afterwards.”

Read more from Oklahoma Gazette.

From Rolling Stone: How JD McPherson Blew Up Christmas Album Cliches on New ‘Socks’

Throughout Socks, McPherson’s impressive garage-rock guitarwork channels classic R&B, rock, blues and rockabilly with snappy, growling riffs (“Bad Kid”), slinky, reverb-drenched passages (“Holly, Carol, Candy & Joy”) and smooth, jazzy shuffles (“Ugly Sweater Blues”).

Along the way, he’s pitch-perfectly backed by his four-piece band of Jimmy Sutton on bass, Raynier Jacob Jacildo on keys, Jason Smay on drums, and Doug Corcoran on saxophone, steel guitar and glockenspiel.

Noname: ‘One of the Best Rappers Alive,’ Says Rolling Stone of Metro Music Series Headliner

Chicago-raised artist Noname, aka Fatimah Warner, blurs the lines of poetry and hip-hop through the music she’ll perform during her headlining tour stop March 3, 2019 at ACM@UCO Performance Lab, 329 E. Sheridan Ave., in Oklahoma City.

Check out her first-ever video, “Blaxploitation,” from her recent release “Room 25” and the related article in Rolling Stone.

Says Rolling Stone of the video: On Tuesday, the Chicago rapper dropped the “film” for “Blaxploitation,” a quick, frenetic cut from this year’s excellent Room 25. In it, she’s nowhere to be seen. Instead, a giant child frolics through Chicago; they’re as large as a skyscraper and play, nap and destroy their way through the city streets. “Chicago Under Siege,” the television chyrons read, “Monster Baby Must Be Stopped.”

The March 3 concert is part of the Academy of Contemporary Music at the University of Central Oklahoma’s (ACM@UCO) continuing Metro Music Series celebrating the school’s 10th anniversary.

Tickets are $25 at acm-uco.eventbrite.com. Original Flow and The Fervent route will open.

In 2016, her debut album, the “Telefone” mixtape, found the artist introducing herself to a worldwide audience. Describing the project as “an introductory conversation with someone you’re interested in,” she quickly earned everyone’s attention.

In September 2018, her full-length studio album “Room 25” was again received with universal acclaim.

A Rolling Stone headline declared, “Noname is one of the best rappers alive.”

Pitchfork decreed, “The Chicago rapper’s second album is a transcendent coming-of-age tale built around cosmic jazz and neo-soul, delivered by a woman deeply invested in her interiority and that of the world around her.”

Consequence of Sound raved, “Noname turns every head in the house on the compelling ‘Room 25.’ … She doesn’t just make keen observations; she sends those syllables skipping down the tongue.

Spin said the performer: “A complete one-of-one act who continues to grow in real time outside of the limelight, Noname makes a subtle yet strong statement for women providing alternatives to one-dimensional rap archetypes.

She grew up in Bronzeville, a historic neighborhood on Chicago’s southside that has famously attracted accomplished black artists and intellectuals of all types. After releasing “Telefone,” she relocated to Los Angeles, where she’s said she prefers live comedy to high-dollar indulgence.

In fact, NME said of her most recent album, “Much of ‘Room 25’ is not only smartly constructed — it’s laugh-out-loud funny. … It’s flawless.

ACM@UCO’s Metro Music Series is sponsored by Oklahoma Gazette, Exchange Music, KOSU Radio, ArtWorks, the National Endowment for the Arts and the Oklahoma Arts Council.

Album Release Show: Ciara Brook Debuts ‘Diva Diaries’ at Friday event in Bricktown

ACM@UCO Student Organization hosts a Friday album release show for ACM alumnus Ciara Brooke as she debuts her new project “Diva Diaries.” Special guests include Rozlyn Zora and chasertheprince.

The event is 7-10 p.m. Friday, Nov. 9, at ACM@UCO Performance Lab, 329 E. Sheridan Ave., in Bricktown. Admission is $5 at the door or FREE with valid UCO student ID.

Like and follow Ciara on social media:
facebook.com/ciarabrookemusic
instagram.com/ciarabrookemusic
ciarabrooke.com

Hear her new album, “Diva Diaries” on Spotify!

FRIDAY! Special Guest John Fullbright Joins Paul Benjaman, Jacob Tovar at ACM Performance Lab in Bricktown

In a showcase sure to move country, rock, Americana and Southern rock fans alike, Paul Benjaman and Jacob Tovar co-headline a concert 7 p.m. Nov. 2 at ACM@UCO Performance Lab, 329 E. Sheridan Ave., in Bricktown.

concert poster depicting Paul Benjaman and Jacob TovarFriday’s show also features special guest and acclaimed keyboardist, pianist and singer-songwriter John Fullbright playing keys with Benjaman and Tovar during their sets. The Grammy-nominated Americana musician joins the Horton Records music showcase in between tour dates.

Paul Benjaman’s distinctive, groove-based songs meld both the American swagger and the lyrical songwriting prowess of artists like Leon Russell, JJ Cale, Wilco, Warren Zevon and Little Feat. Similarly, Horton Records labelmate Jacob Tovar evokes the wry wit of Buck Owens or C.W. McCall and a Southern-rock tinged amalgam of both Hank Williams Sr. and Jr.

The concert is part of the Academy of Contemporary Music at the University of Central Oklahoma’s (ACM@UCO) continuing Metro Music Series celebrating the school’s 10th anniversary. Tickets are $10, available at eventbrite.com.